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Merahkala

[00:00:12:08]

REC

SC 14 / TK 3 / 35MM / T2.0 / ISO 800

Everyframe, dijaga.

Merahkala is a 14-person production, post and animation studio in Shah Alam. We shoot TVCs, Raya and CNY films and corporate stories, then grade, mix and cut the 40 social versions that follow them. One crew, one building, one invoice.

The 2026 reel

Two minutes fourteen of what left this building in the last twelve months. Cut by our own editor, scored by a friend in Bangsar, graded in the dark room downstairs.

PLAY REEL02:14 / 4K / STEREO

What we make

Five kinds of work, all made under one roof in Glenmarie. Prices are where a typical job starts; your brief sets the rest.

Graded in the dark

Our grading suite has no windows, a calibrated reference monitor and one chair for you. Every master is graded here, frame by frame, before a single cutdown leaves the building.

Move or drag across the frame to see what the grade does with a wet road at 2 a.m.

Shot
Hujan Pertama, SH 041
Grade
Night, cool key
Lens
50mm anamorphic
Light
2 x 18K, wet down
Night car commercial still: a dark saloon on a wet coastal road, headlights streaking across the tarmac
FR 001302 / ASCII preview, 120 x 40Lens: colour grade

Seven years on the timeline

From a shoplot with one camera to two stages and a dark room. Read it like an edit: studio on V1, work on V2, crew size on A1.

Swipe the timeline sideways.

TC2019 01:00:00:002020 01:00:01:002021 01:00:02:002022 01:00:03:002023 01:00:04:002024 01:00:05:002025 01:00:06:002026 01:00:07:00
V2Weddings, launches, anything that paidFirst TVCFirst Raya filmFirst animated series ident61 titles to date
V1Three of us, one shoplot in Seksyen 13Lockdown: animation unit starts at homeMove to a Glenmarie warehouse, build the grading suiteStage 2: 12 x 18 m cyclorama, full blackout
A134679101214

A1 = crew on payroll at year end. 14 today, plus a freelance bench of about 40.

Kit & crew

We own what we use most, so a shoot day is not a rental invoice. Everything below sits in the Glenmarie store, tested every Monday.

Inventory, October 2026

Camera

  • Large-format cinema body, 4.6K open gate2
  • Super 35 cinema body, high-speed 120 fps1
  • Anamorphic primes, 32 / 40 / 50 / 75 / 100 mm1 set
  • Spherical primes, 18 to 135 mm2 sets
  • Zoom, 24-290 mm1

Grip

  • Dolly with 12 m straight + curved track1
  • Remote head + 7 m jib1
  • Car rig: hostess tray, suction mounts1 kit
  • Gimbal, 15 kg payload2

Light

  • 18K HMI daylight2
  • LED panels, full colour, 1200 W6
  • Tubes, pixel-mapped16
  • Haze machines, water-based2

Post

  • Grading suite, calibrated HDR reference monitor1
  • Edit bays3
  • 5.1 mix room1
  • Render nodes for animation8

Heads of department

  • Nadia H.Director, foundersince 2019
  • Kenji W.Director of photographysince 2019
  • Amir R.Gaffersince 2020
  • Su Lin T.Colouristsince 2022
  • Priya V.Editorsince 2021
  • Faiz Z.Animation leadsince 2020
  • Mei D.Producersince 2023
  • Hakim K.Sound designersince 2024

14

full-time crew

40

freelance bench

2

blackout stages

Behind the slate

Clients are welcome on set and in the suite. Most come for the first take and stay for the nasi lemak.

Scroll sideways for the call sheet

  • A cinema camera on a dolly and track on a dark stage, a focus puller's hand on the follow-focus wheelBTS 014
    Day 2, 06:40. Dolly in for the porch scene.
  • A gaffer in black work gloves adjusting the barn doors of a large film light, beam visible in the hazeBTS 022
    Amir trims the key before the rain rig starts.
  • A dark colour grading suite lit only by a large reference monitor and a control panel with three trackballsBTS 031
    Grade review with the client, 11 p.m., no windows.
  • Call sheet

    DAY 2 OF 3

    Job
    Pulang Sebelum Senja
    Location
    Kampung house, Kuala Selangor
    Crew call
    05:30
    Sunrise
    07:08
    Wrap
    20:00
    Schedule for day 2
    SCSetPgs
    14Porch, dawn1 2/8
    15Kitchen, ketupat6/8
    17Road, car arrives4/8
    21Porch, dusk lamps1 4/8

    Rain rig standby from 16:00

    Every crew member gets one by 21:00 the night before.

On air with

Brands, agencies and two free-to-air channels who came back for a second job. Names are fictional, like everything on this demo.

  • SERUMPUN
  • 9saluran
  • VELORA
  • Seri TanjungKOPERASI
  • LINTAS
  • DAPUR NENEKREMPAH
  • ARUS
  • tiga bintang

Six weeks, three rooms

A typical 30 second TVC, start to air. Festive films run the same way but start two months before the season.

  1. Step 1 of 3Weeks 1-3

    Pre

    we plan

    • Brief call and a written treatment within 5 working days
    • Script, storyboard or animatic you sign off
    • Casting, recce, wardrobe, call sheets
    • One fixed quote, no surprise lines later
  2. Step 2 of 3Week 4

    Shoot

    we roll

    • 1 to 3 shoot days on stage or location
    • You watch the monitor with the director
    • Rushes backed up twice before wrap
    • Behind-the-scenes stills for your socials
  3. Step 3 of 3Weeks 5-6

    Post

    we finish

    • Offline edit, two rounds of changes
    • Grade, mix and online in our building
    • Masters for TV, cinema and web
    • Cutdowns in 9:16, 1:1 and 4:5 within 48 h

Rate card

Starting prices in ringgit, before SST. 50% to book the dates, 50% on delivery. Every job gets one fixed quote after the brief call.

  • Social cutdown packDelivery in 48 hours

    Up to 12 versions from your master, captions in 2 languages, 3 aspect ratios

    from RM4,800

  • Corporate filmDelivery in 3 weeks

    1 shoot day, crew of 6, interview lighting, 3 to 5 min edit, grade and mix

    from RM18,000

  • Animation, 30 sDelivery in 4 weeks

    Script, animatic, 2D or 3D, voice-over in BM or English, music licence

    from RM22,000

  • Raya or CNY filmDelivery in 6 weeks

    2 shoot days, casting, location, festive art department, 2 min film + 6 cutdowns

    from RM45,000

  • TVC, 30 s + 15 sDelivery in 6 weeks

    Treatment, 2 shoot days on stage or location, full post, broadcast masters

    from RM85,000

Dry hire and day rates

Day rates
Stage 1 or 2, 12 hoursRM 3,200
Camera package A, with DOPRM 6,500
Lighting truck, with gaffer + 2RM 5,800
Grading suite, per hour, with colouristRM 650

Not sure which line you are? Send us the brief and a budget range. You get a treatment and a fixed quote in five working days.

Send a brief

STANDBY

Roll camera.

Tell us what you are making and when it has to air. A producer replies within one working day, in BM, English or Mandarin.

Phone
+60 12-000 0000
Email
[email protected]
Studio
Glenmarie, Shah Alam, Selangor
Hours
Mon to Fri, 10:00 to 19:00. Shoots any day.

We reply within one working day.

Demo only

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